It’s been a long while since the public saw or heard from Daniel Day-Lewis. Following his announcement in 2017 declaring he would no longer pursue acting, just before the release of Phantom Thread, the actor quietly faded from view. However, during his hiatus, his reputation expanded further.
The Legend Surrounding His Acting Method
Primarily, this legend centers on his preferred style of working. As someone who famously immerses himself in his characters – for instance, while filming the Lincoln biopic, he had the director call him “Mr President” for the entire production – audiences has grown increasingly obsessed with his process. Did he actually sent messages to co-star Sally Field in character as Lincoln? Did he only eat animals he’d killed for The Last of the Mohicans? And did he insist on being spoon-fed for My Left Foot?
Madness in their method: have we fallen out of love with over-the-top performances?
Currently, Day-Lewis is back in the limelight, with some hesitation, for his new film Anemone. He is using this to express his frustration regarding how the Method technique is perceived. “I am somewhat annoyed nowadays when I hear various individuals talking carelessly and using phrases like ‘fully embraced the Method’, which I think is meant to imply that a person’s acting insane in an extreme fashion,” he told a major publication. “Everyone often concentrate on the less important details of the work, and these elements typically include some form of self-punishment or a situation that imposes upon oneself extreme unease or psychological strain. However, in the life of an actor, it must principally be about the internal work.”
An Industry of Imitators
Frankly, this sounds like Day-Lewis has emerged from seclusion only to discover shocked by the acting community that has been created in his image. When you are widely considered one of the greatest actors in history, and your approach involves striking a prop until you break your nose (for Gangs of New York) or enduring 48 hours in isolation without food or water (for In the Name of the Father), it’s natural that other actors will attempt to fill that vacuum by trying to mimic their idol.
Essentially, we exist in an environment populated by imperfect imitators of Day-Lewis who strive only to show the world the sheer amount of effort they put into a character. At the shallow end of the pool we have people like Lady Gaga, who was determined to earn an Academy Award with House of Gucci that she spent the whole campaign trying to convince everyone that she became an Italian native over 18 months as preparation.
Then we have Jared Leto, who decided to deeply embed himself into the role as the Joker (for Suicide Squad) through sending “horrifying” presents to his castmates. These, according to various accounts, range from dead pigs and rats to anal beads and personal hygiene products, although the actor refuted those worst excesses. Then, of course, we have Jim Carrey, who went so deep as Andy Kaufman during Man on the Moon that they literally managed to get a full-length documentary from behind-the-scenes footage of him causing difficulties to the utmost for his colleagues.
Contemporary Method Practitioners
The main practitioner of the Method currently would appear to be Jeremy Strong (formerly an assistant to Day-Lewis), whose process while filming Succession was so laboriously intensive that it formed the basis of a derisive magazine feature, full of quotes from people who were either concerned about his conduct (“The toll to himself concerns me,” remarked co-star Brian Cox) or extremely irritated by his actions (“I recall him causing others roll their eyes,” stated an anonymous cast member).
Daniel Day-Lewis claims he ‘never intended to retire, really’
We have numerous additional cases. Andrew Garfield abstained from sex for six months for Silence. Leonardo DiCaprio slept in a dead animal for The Revenant. It’s quite possible that actor Austin Butler still speaks in the style of Elvis, three years after that film came out. Each of these instances, in part, is meant to invoke the dedication in which Day-Lewis approaches his work.
An Admirable But Uphill Fight
And, while his fightback against method detractors could be commendable, a brief promotional cycle might not be enough to alter perceptions, let alone their behaviour. Maybe if he wishes to make audiences recall the true essence of the Method, or to show them what it can achieve, then Day-Lewis’s best bet is to simply start making more films. Certainly everyone would get behind that.